All Songs Considered
SXSW Late Night Dispatch: Friday (3/2018)
Andrew W.K. and his whole band gave us the life-affirming gift of joycore, Dermot Kennedy took us to church in a church and Lido Pimienta delivered a searing Latinx performance as did the Rev. Sekou. Trupa Trupa from Poland was a favorite as was G Flip.
New Music Friday: March 16 (3/2018)
All Songs Considered's Robin Hilton runs through the essential new album releases for March 16 with NPR Music's Ann Powers and Rodney Carmichael. Featured albums: 1. Snoop Dogg's Bible Of Love, 2. The Decemberists' I'll Be Your Girl, 3. Essaie Pas' New Path, 4. Mount Eerie's Now Only, 5. Meshell Ndegeocello's Ventriloquism. Also mentioned: Yo La Tengo: There's A Riot Going On, Caroline Says: No Fool Like An Old Fool, Bishop Nehru: Elevators Act 1 & 2, Durand Jones & The Indications: Durand Jones & The Indications, Lauren Auder: Who Carries You, PRhyme: PRhyme 2, Rich Homie Quan: Rich As In Spirit.
SXSW Late Night Dispatch: Thursday (3/2018)
Our daily wrap-up of music from the SXSW music festival continues, including Robin Hilton's emotional day of inspired music, punctuated by the Brooklyn pop-punk trio THICK and an artist known only as MAX, a phenomenal pop-and-soul singer who gives unforgettable performances with lots of flair and theatrics. Bob witnessed the positive punk energy of Idles despite the smashed glass And the show that Robin, Bob Boilen and Stephen Thompson saw all independently show up for by Many Rooms.Talia Schlanger's days was a heart warming one at Willie Neson's Ranch.
SXSW Late Night Dispatch: Wednesday (3/2018)
A brief round up of Discoveries from SXSW - including the music of August Greene, the new supergroup from Common. Also we sing the praises of Superorganism, our love for Australian artist Stella Donnelly and the brilliance of Tank and the Bangas.
SXSW Late Night Dispatch: Tuesday (3/2018)
Our roundup of artist discoveries and brilliant moments for SXSW 2018 including Sudan Archives, Thunderpussy, Max Richter, Partner, Chloe Foy, Pale Waves and a whole lot more
SXSW 2018 Preview (3/2018)
It's the most wonderful time of the year! At least it is for avid music fans like us and anyone else attending the South By Southwest festival in Austin, Texas. The annual endurance challenge gets underway this week, with thousands of bands from around the world — and many more fans — converging on the city for a seemingly endless bender of live performances — shows both big and small that last all day, every day, into the wee hours of the morning, with music pouring out of every club, restaurant, street corner and alleyway for miles.For this edition of All Songs Considered, we (Bob Boilen, Robin Hilton and Stephen Thompson) listened to songs by more than a thousand bands that'll be performing at SXSW, and picked some of their favorites from artists previously unknown to hear and see. We run through some of those favorites on this episode, including the sludgy noise rock of Sharkmuffin (we're not making that name up) to the sweet voice of singer-songwriter Chloe Foy, the Calypsonian and soca artist Nailah Blackman and much, much more. Full playlist (song names): 1. Dermot Kennedy "Moments Passed," 2. Sharkmuffin "Scully Is A Sharkmuffin," 3. Frankie Simone "War Paint," 4. Pale Waves "Heavenly," 5. Anna McClellan "Heart Of Hearts," 6. Alice Phoebe Lou "She," 7. WILD "All My Life," 8. Double Ferrari "Double Ferrari," 9. Chloe Foy "Flaws," 10. Nailah Blackman "O'Lawd Oye'," 11. Trupa Trupa "To Me," 12. Descartes A Kant "Motion Picture Dream Boy," 13. IDER "Body Love," 14. Dave B "Sweetest Thing," 15. Skyway Man "The Seer"
+1: India.Arie Talks About Worth And The Grammys (3/2018)
The Grammy Awards have been roiled by controversy regarding how women in the industry are valued — or not. The singer-songwriter talks with NPR Music's Anastasia Tsioulcas about the open letter she wrote to the Recording Academy.
Guest DJ: Nathaniel Rateliff & The Night Sweats Hop Across An Eclectic Playlist (3/2018)
Today we have a conversation with Nathaniel Rateliff and Mark Shusterman, the keyboardist of his band The Nightsweats, who joined us to play DJ. They picked some music they love and some of the songs that influenced the making of their new album, Tearing at the Seams, their second studio album, out today on the legendary Stax Records.The scrappy-looking, mostly bearded, all-mustachioed band of eight players makes music steeped in rhythm and blues, with a large dose of old-time rock and roll.
New Music Friday: March 9 (3/2018)
All Songs Considered's Robin Hilton chats with NPR Music's Sidney Madden and Tom Huizenga about the essential new albums out for March 9. Full playlist: 1. Thirdstory Cold Heart, 2. Brad Mehldau After Bach, 3. Jeremy Messersmith Late Stage Capitalism, 4. Young Fathers Cocoa Sugar, 5. Lil Yachty Lil Boat 2, 6. Jonny Greenwood You Were Never Really Here, 7. Nathaniel Rateliff and the Night Sweats Tearing At The Seams. Also notable for March 9: August Greene August Greene, David Byrne American Utopia, Jimi Hendrix Both Sides Of The Sky, Editors Violence.
My Bloody Valentine's Kevin Shields Gets Deep Into 'Loveless' (3/2018)
This is a complex and fascinating conversation with Kevin Shields of My Bloody Valentine about the latest version of the band's legendary 1991 album Loveless. It's also about the group's future. If you have the vinyl version of Loveless you probably think you it's an analog recording. Well the technical truth is, you don't. It's a bit confusing, but for one, the nice segues on Loveless — those seamless song-to-song transitions — were done on a computer. And before a pressing plant makes the vinyl version, it turns the analog tapes into a digital file.So Kevin Shields went on what he thought would be a brief mission to make an all-analog version of Loveless. It ended up taking years and an awful lot of money. But now the new vinyl version is out and the tale of the tape is what much of this conversation is about. We get in the weeds about tech, about mastering an album (which is the technical final tweaking done before a record is pressed). But stick with it. It was an eye-and-ear-opening conversation.